William Preucil has long been one of Suzuki’s biggest success stories.  Heralding from the first family of American Suzuki, he traveled the world as a young performer.  Early in adulthood, he established himself as a first-rate concertmaster, holding the post with several prominent orchestras.  He settled into the top job at The Cleveland Orchestra in […]

As the pieces In the Suzuki Repertoire get longer and more complex, they take longer to work through.  My most recent piece, Karl Bohm’s Perpetual Motion from Little Suite No. 6, was an exception.  All the pieces that preceded it in Book Four took longer.  Still, I began the Perpetual Motion at the beginning of […]

The season at the CSO includes a series of 10 piano recitals on Sunday afternoons – clearly I’m not the only one who enjoys the format.  Yesterday’s matinee performance packed two pianists and two concert grand Steinways onto the stage – Pierre-Laurent Aimard and Tamara Stefanovich, both veteran interpreters of The 20th century and contemporary […]

This month marks the five-year anniversary of Musical Me.  I conceived of beginning to play the violin and of chronicling my musical pursuit via this blog whole-cloth on a dreary Monday afternoon in October 2013 as I mourned a dead cat and too much wasted time in my life.  The writing and my playing were […]

The latest chapter in the story of the Ames/Totenberg Stradivarius has just begun.  The Totenberg family sold the instrument after it was recovered from the wife of the man who stole it in 1980 when she had it appraised upon his death in 2015.  The instrument was returned to the Totenberg family, who then sold […]

Richard Strauss’s opera Capriccio opens with a sextet for strings – The Jerusalem Quartet opened with the piece as well in the first chamber music performance of the 2018-2019 season yesterday at Chicago’s Symphony Center.  The renowned Israeli ensemble is on tour with the legendary Pinchas Zuckerman on viola and cellist Amanda Forsyth, who round […]

As I warmed up for my lesson yesterday, I managed to get through my Wohlfahrt etude that’s all sixteenth notes in 4/4 time at 120 bpm – allegro! I must say doing so felt like an accomplishment. But allegro with an etude and allegro with real music are different things – even getting there in […]